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Flikkers: Queer Spaces, Queer Utopias

Photo Credit: Flikkers Ball 1987, image courtesy Tonie Walsh, photo Thomas A. O’Shea

With thanks to our Partners:

Arts Council new logo
DCC
Project

With thanks to our Partners:

Arts Council new logo
DCC
Project
Start Date: 13/05/2022
Time of Event: 6pm to 8:30pm
Ticket Price: Free
Public or Private: Public
Online or In-Person: In-Person and Online
Event Venue: Project Arts Centre
Event Street Address: East Essex St
Event Town/City: Temple Bar
Organised By: Bealtaine Festival
Contact Phone No: 01 881 9613
Start Date: 13/05/2022
Ticket Price: Free
This Event is: Public
Online or In-person? In-Person and Online
Event Venue: Project Arts Centre
Event Street Address: East Essex St
Event Town/City: Temple Bar
Organised By: Bealtaine Festival
Contact Phone No: 01 881 9613

Accessibility information:

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Event Description

This event is part of Flikkers – Come As You Were is the Age & Opportunity Bealtaine Festival Commission for 2022 supported by the Arts Council and Dublin City Council. A series of events remembering and celebrating the Flikkers Disco era at the Hirschfeld Centre and the generation who were there. Flikkers invites older LGBTQ+ people to dance and celebrate this seminal period of social and cultural activism.

Chaired by Hannah Tiernan researcher, writer, visual artist and Assistant Editor GCN. Contributors include: David Carroll – Irish Research Council PhD Scholar, Queering the Groove; Orla Egan founder of Loafers Discotheque Cork, and Cork LGBT Archive; Prof. Maurice Devlin Head of Dept. of Applied Sociology, Maynooth (former Flikkers DJ); Luiz Wellington, a member of the Dublin Gay Men’s Choir and Eileen Leah, Lecturer, TCD (formerly the Shamcocks, Drag King group). The panel will discuss the importance of vibrant spaces such as Flikkers and other community-led social spaces within the history of LGBTQ+ activism and socialisation. To quote Maurice Devlin, from the publication Fabulous Flikkers 2002, ‘Exuberance in the face of oppression is profoundly political!’

Prior to the panel discussion there will be a screening of Caroline Campbell’s film Our Love is History (2013), which revisits the politics of the Hirschfeld Centre disco, and Orla Egan’s archive film I’m Here, I’m Home, I’m Happy. Following the discussion there will also be the opportunity to purchase signed copies of Orla Egan’s new book.

Films: 18:00 – 18:30
Panel Discussion: 18:30 – 19:30
Book Sale / Reception – Orla Egan’s book, Queer Republic of Cork : 19:30 – 20:30

With live stream via GCN TV.

A Bealtaine Festival event presented in association with Project Arts Centre.
To book: https://projectartscentre.ie/event/flikkers/

Curated & produced by artist- curator Francis Fay and journalist, activist and DJ Tonie Walsh
Project Advisors Tonie Walsh & Julianne O’Malley
Curatorial Support Monica Flynn (Visual Art Curator, Bealtaine Festival)

Biographies

Hannah Tiernan is a researcher, writer and visual artist based in Dublin, Ireland. Her key area of interest is contemporary Irish LGBTQ+ history and expanding voices within the Irish LGBTQ+ community. Throughout 2022, Hannah is coordinating the REWIND<>RECORD: Revising the Rainbow (RFR); a series of talks, tours and workshops to develop creative responses exploring Irish queer history and contemporary representation in a local context. This touring programme including a cumulative exhibition of participants’ work has been developed in partnership with artist and curator, Brendan Fox and the Museum of Everyone and supported by the Arts Council, Dublin LGBTQ+ Pride, Queer Culture Ireland and the Irish Museum of Modern Art (IMMA). Since September 2021, Hannah has been the Editorial Assistant with GCN (Gay Community News) Magazine, a not-for-profit, free print and online publication which has supported, recorded and served the Irish LGBTQIA+ community for over thirty years. She has also been appointed as the in-house archivist to oversee the digitisation of GCN’s archive.

Since March 2021 Hannah has been the editor of the Queer-in-Progress. Timeline: Online Archive, an initiative to map the expanded narratives within the canon of Irish queer history; focusing on lesbian, feminist, female-identifying, trans, bi and HIV/AIDS histories. From 2018 to 2020, Hannah was a researcher on the ACTIVE ARCHIVE – SLOW INSTITUTION initiative with Project Arts Centre and was the lead researcher for the Queer-in-Progress. Timeline display in March 2020. In 2019 she authored ‘Foul, Filthy, Stinking Muck’: the LGBT theatre of Project Arts Centre, 1966 – 2000, and curated and hosted an accompanying symposium. As a visual artist, Hannah has exhibited her photography and sculpture throughout Ireland and has several works housed in private collections. Along with academic writing, she frequently publishes articles exploring contemporary Irish LGBTQ+ histories. Her poetry and visual art often explore themes of sexuality and gender identity. www.hannahtiernan.com

David Carroll worked has worked in the arena of sexuality and sexual health for over 25 years, for organisations including AIDS West, Gay Men’s Health Service (HSE) and BeLonG To. Currently a board director of Outhouse LGBT community centre, David completed an MA in Sexuality Studies in 2012. He is presently undertaking a doctoral thesis at DCU, which proposes the 1980s as a pioneering decade for representations of queerness in pop music.

Maurice Devlin grew up in County Derry but has lived in Dublin for most of his adult life. He became a Flikkers DJ shortly after his first visit to the club in 1981. At the time he had recently become a youth officer with the city’s VEC (now ETB) and was instrumental in securing registration and funding for the (then) National Gay Federation’s youth group, a decision that was subsequently revoked due to public controversy and political cowardice. At the end of the 1980s he moved to Maynooth University where he is currently Professor of Applied Social Studies and also holds the Jean Monnet Chair in European Youth Studies. Maurice has stayed involved with youth and community organisations and was a board member of BeLonG To Youth Services for many years until stepping down at the end of 2021. His feet keep dancing, although less frequently in public these days.

Orla Egan is a Queer Archival Activist and has been active in the Cork LGBT community since the 1980s. She is the Founder and Director of Cork LGBT Archive, author of Queer Republic of Cork book and of the Leeside Lezzies play, and Director of the short Cork LGBT film I’m Here, I’m Home, I’m Happy. She also works part-time with the new Full Stack Feminism in Digital Humanities project.

Eileen Leahy was a founding member of aLAF (a Lesbian Arts Festival 2002 to 2008); developed and ran Queervisual a public digital art project (2005 to 2007); founding member and performer with the Shamcocks Drag King Troupe 2004; Cabaret and burlesque promoter including Licky Rake and Rouge (Dublin Fringe Festival 2004 to 2006); range of fundraiser club nights including Mostly Girls (IFI 2004 to 2006) and Snackbox (Voodoo Lounge 2006 to 2008). And a wide range of other queer, underground events and happenings before and since. She is currently chair of Aisteach, a queer housing co-operative society.

Luiz Wellington – Irish by heart and Brazilian by birth, I have a multicultural view of life as a consequence of family, education and for living in Canada, Peru, Switzerland and I set up my heart in the Emerald Island. So far I am having an incredible journey in Ireland. I felt in love, I meet nice and interesting people and I could be part of Dublin Gay Mens Choir for about 4 years. This experience it was cornerstone to my personal growth as a gay man. I made new friends and I could socialise with people to share the same hobbies and interests and music is my passion. In the 80’s I was the only one kid growing up among people who were young at the time. I often have seen myself different in a certain way and I could say that I always had a theme for every situation in my life. I still remember the feeling I had when I saw Grace Jones on TV for the very first time. It was a challenge to identify with her because I didn’t know if it was male or female but I loved what it was there.

English was a language that I couldn’t master at the time but rhythm always spoke to me and because I like to dance I could say that Small Town Boy made me dance so much and I only could discover the lyrics and truly identify with that song in the 90’s. This grownup small town boy enjoyed the 80’s.

Principal Funders:

  • Link to HSE website
  • Link to Arts Council website